When the last Telefon Tel Aviv record came out, the band already had a tangled legacy behind them. Their initial combination of micro-sampling techniques, folky songwriting and expressive sound design remains a unique proposition that mutated over time. Subsequent albums Map Of What Is Effortless and Immolate Yourself each represented a departure from its predecessors, simultaneously confusing existing fans while acquiring new ones. When Cooper tragically passed away in , Telefon Tel Aviv went on indefinite hiatus, leaving behind a small but prominent body of work for listeners to reflect upon. A band that steadfastly refused to adhere to genre conventions or kowtow to expectations, their cult status has only deepened over time. Having earned a reputation for the high production values of the TTA material, Eustis forged a productive career in music that found him working as a sound designer, producer and mastering engineer for a variety of projects. He also formed Second Woman with Turk Dietrich — an acclaimed project that mutates bruising club aesthetics through intense signal processing and sound design. Understandably, returning to Telefon Tel Aviv was a conflicted decision for Eustis, but as his work with Dietrich brought him back into a similar sphere of music production, ideas for the project began to present themselves. In he started trying to realise that idea by immersing himself in the world of Max MSP, all the while developing musical themes that would eventually manifest in the fourth Telefon Tel Aviv album, Dreams Are Not Enough.
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